Written by: Ben Z @WI608
Over the years I've owned many different microphones and used them in all types of recording environments. From nearly perfect live-rooms and isolation booths at the studio to high school classrooms, I've captured great audio using a few of Shure's finest mics. Keep in mind that the world of microphones is vast, and these are just a few of my favorites from Shure for under $500.
Shure SM58: $100
Having been around for decades, most people recognize this microphone as a world-class workhorse mic that can take a lot of abuse. (See for yourself! https://youtu.be/33QPLbQi9FI) The SM58 is perfect for live shows as well as a must have for the studio mic collection. This mic is well suited for picking up vocal tones and it's cardioid polar pattern helps ensure ambient noise to the rear of the mic will be rejected. Many mics will deteriorate and lose value over the years, but this is one known to last and maintain it's value. If you have never owned a microphone, the Shure sm58 is a great starting point.
Shure SM7b: $350
The SM7 has been around for quite a while and there is a high probability that you've heard it used in some of your favorite songs. In fact the SM7 is the microphone that was used on Michael Jackson to record his 'Thriller' album. Having personally recorded many artists with this mic, I can certainly agree that it is another “must have” microphone for the studio. Like the SM58, it too is a dynamic microphone with a cardioid polar pattern. A major plus is the built in bass roll off and mid range boost filters that are built into the SM7b. One downside to be noted is the large amount of gain needed to boost the signal for recording. Be sure your mic-pre has plenty of gain (at least 60 db) to fully utilize this mic. Nonetheless, if your recordings include many male vocal tracks this is a solid buy.
Shure KSM32: $500
One of my all time favorite microphones is the Shure KSM32. Coming in at around $500 this mic packs plenty of bang for your buck. The KSM32 is a large diaphragm condenser mic which means an extended frequency response as well as less gain needed from your mic-pre. This mic is very well suited to recording all types of vocals, but is quite versatile and can be used effectively to capture many different sources. If you are stepping up to the KSM32 after owning cheaper large diaphragm condenser mics, you will likely notice improved clarity with decreased harshness in the higher frequencies. Additionally, the variable bass roll off filter and 15db attenuation switch prove helpful in many recording situations. If you have some experience recording and want to step up to something nicer while keeping a modest budget, this mic is a great solution.
Additional gear to go with your new microphone:
Pop Filter: $50 Stedman PS 101
XLR Cables: $40 Mogami 20ft. Balanced cable with Neutrik connectors
Mic Stands: $60 K&M boom stand with arm
Need headphones too? We've got a few suggestions for you here:
http://upcominghiphop.net/2015/02/15/get-your-headphone-game-right